Exploring the craft, culture, and people of Off-Broadway theater
The Spotlight
A new partnership links Brooklyn and London, as both institutions look to stabilize, find new audiences, and expand the transatlantic pipeline.
Over a diner breakfast, the writer and director of Well, I'll Let You Go talk catharsis, their love of Our Town, and plays that make you want to call your parents.
From immersive performances to chocolate-pudding city planning, game design is reshaping how audiences participate in theater. How far can it go?
Director Colm Summers and playwright Derek Murphy on Irish humor, self-harm, and staging an unconventional love story.
Leo Egger and Charlie Mayhew of the Eno River Players discuss turning Robert Burton’s The Anatomy of Melancholy into a wry Off-Off-Broadway meditation on grief, history, and surprisingly modern anxieties.
Playwright Kirk Lynn spent years inside Wilder’s journals, drafts, and notes to bring The Emporium to the stage. But he left one crucial decision up to the audience.
At Wallace Shawn’s new play, audiences seem seized by an uncanny urge to make themselves heard. What would Freud say?
In an immersive mariachi performance in a Flatbush apartment, a Mexican family wrestles with a fear shared by immigrants everywhere: that leaving home may mean leaving yourself behind.
Brian Quijada, Nygel D. Robinson, and director David Mendizábal are treating theater as something to pass on — across cities, platforms, and audiences.
Four writers tracked a week of writing, teaching, procrastinating, and trying to make art fit inside ordinary days.
The playwright talks sailor archetypes, existential despair, and why musical theater can be both ridiculous and profound.
After a viral Belle and regional acclaim, the performer brings comedy, swagger, and gender-expansive freedom to New York City Center.